{"id":2714,"date":"2025-10-16T09:54:50","date_gmt":"2025-10-16T07:54:50","guid":{"rendered":"https:\/\/annabelaounblanco.cerfalunettes.fr\/publications\/"},"modified":"2025-12-18T15:13:31","modified_gmt":"2025-12-18T14:13:31","slug":"publications","status":"publish","type":"page","link":"https:\/\/annabelaounblanco.cerfalunettes.fr\/en\/publications\/","title":{"rendered":"Publications"},"content":{"rendered":"\t\t
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Publications<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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2022<\/h3>\n

“ANNABEL AOUN BLANCO AU MUSEE REATTU A ARLES”, L’art vues, BTN<\/p>\n

“ANNABEL AOUN BLANCO : coups apr\u00e8s coups”, Art magazine<\/p>\n

“Annabel AOUN Blanco, act II”, La Provence, Laurent Rugiero<\/p>\n

“Coups apr\u00e8s Coups”, ed. Illustria, catalogue of the exhibition “Coups apr\u00e8s Coups” (mus\u00e9e R\u00e9attu, Arles), Paul Ardenne art historian, Robert Pujade historian of photography<\/p>\n

2019<\/h3>\n

“\u00c9loigne moi de toi”, ed. SilvanaEditoriale, catalogue of the exhibition “\u00c9loigne moi de toi” (mus\u00e9e R\u00e9attu, Arles), Robert Pujade historian of photography<\/p>\n

“ARTPRESS \u00c0 ARLES. \u00c9PISODE 5”<\/a>, art press, \u00c9tienne Hatt<\/a><\/p>\n

“Arles 3 : recherches”, Le Monde.fr, Lunettes Rouges<\/a><\/p>\n

“Figures de la disparition | Annabel Aoun Blanco au mus\u00e9e R\u00e9attu, Arles”, photographie.com, Michel Greni\u00e9<\/p>\n

“Arles est en f\u00eate”, journal zibeline, Claude Lorin<\/p>\n

“Exposition Annabel Aoun Blanco. \u00c9loigne moi de toi. Jusqu\u2019au 29 d\u00e9cembre 2019 au mus\u00e9e R\u00e9attu, Arles”, Sortir ici et ailleurs magazine des arts et spectacles, Pierre Aimar<\/a><\/p>\n

“Exposition “\u00c9loigne moi de toi” Annabel Aoun Blanco “We were five”, paperblog, Philippe Cadu<\/a><\/p>\n

“Retour \u00e0 R\u00e9attu”, fisheye magazine, Eric Karsenty<\/a><\/p>\n

“Les myst\u00e9rieux dispositifs d\u2019Annabel Aoun Blanco”, revue Point contemporain, Margot Rouas<\/p>\n

“Annabel Aoun Blanco \u00c9loigne moi de toi au mus\u00e9e R\u00e9attu, Arles”, FranceFineArt, interview, Anne-Fr\u00e9d\u00e9rique Fer<\/p>\n

“Le souvenir d\u2019une certaine image\u2026”, L\u2019OEIL DE LA PHOTOGRAPHIE, Robert Pujade<\/a><\/p>\n

“Passage(s) en boucle(s)”, ARIA n\u00b0293, Sandra Alfonsi<\/p>\n

“Arles : Annabel Aoun Blanco s\u2019inscrit dans le parcours de R\u00e9attu”, LA PROVENCE, Julia Razil, PH. C. Hi\u00e9ly<\/a><\/p>\n

2018<\/h3>\n

“L\u2019image qui tente son retour”, lelitteraire.com, Jean-Paul Gavard-Perret<\/a><\/p>\n

“Annabel Aoun Blanco ou l\u2019image qui revient”, Les Blogs en partenariat avec blog 24heures, De l\u2019art helv\u00e9tique contemporain, rubrique des arts plastiques et de la litt\u00e9rature en Suisse, Jean-Paul Gavard Perret<\/p>\n

2017<\/h3>\n

“Le r\u00e9alisme magique de la photographie”, REVUE LAURA #23, J\u00e9r\u00f4me Diacre<\/a><\/p>\n

“L\u2019expo est dans la rue !”, Socialize magazine, Marie (r\u00e9dactrice)<\/a><\/p>\n

“Une expo en plein air cannibalise des affiches”, 24 heures, Chlo\u00e9 Banerjee-Din<\/a><\/p>\n

2016<\/h3>\n

NOS COUPS DE COEUR DE LA YIA ART FAIR #7, Toutelaculture.com, Hugo Saadi<\/p>\n

Le Projet Shin\u00e9ar, 491 Mensuel culturel \u2013 N\u00b0228 septembre<\/p>\n

“L\u2019intarissable attente de l\u2019incarnation : entretien avec l\u2019artiste Annabel Aoun Blanco”, lelitteraire.com, Jean-Paul Gavard-Perret, 2016<\/a><\/p>\n

“Disparition de l\u2019Imago”, Carnet d\u2019Art, Jean-Paul Gavard-Perret<\/a><\/p>\n

“Face \u00e0 ce qui se d\u00e9robe : Annabel Aoun Blanco”, Les Blogs en partenariat avec blog 24heures, De l\u2019art helv\u00e9tique contemporain, rubrique des arts plastiques et de la litt\u00e9rature en Suisse, Jean-Paul Gavard-Perret<\/p>\n

“Anna\u00adbel Aoun Blanco : effa\u00adce\u00adments, disparitions”, lelitteraire.com, Jean-Paul Gavard-Perret<\/a><\/p>\n

“Le “Blank” d\u2019Annabel Aoun Blanco”, Lintern@ute salon litt\u00e9raire, Jean-Paul Gavard-Perret<\/p>\n

2015<\/h3>\n

“Ce qui est retenu”, TK-21 LaRevue n\u00b052, Jean-Louis Poitevin<\/a><\/p>\n

2014<\/h3>\n

International Contemporary Artists volume VIII, ICA publishing, New York<\/p>\n

“you\u2019re dancing right now”, Photo exposition, Amanda Lynn<\/a><\/p>\n

Mois de la photo OFF<\/p>\n

interview artists, Is-e-Art<\/a><\/p>\n

2012<\/h3>\n

Les laur\u00e9ats du concours portfolio, HELIO “le Blog<\/a>“<\/p>\n

2011<\/h3>\n

Les Bouillants #3 : tentative d\u2019un inventaire subjectif et non exhaustif, Alter1fo<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Publications 2022 “ANNABEL AOUN BLANCO AU MUSEE REATTU A ARLES”, L’art vues, BTN “ANNABEL AOUN BLANCO : coups apr\u00e8s coups”, Art magazine “Annabel AOUN Blanco, act II”, La Provence, Laurent Rugiero “Coups apr\u00e8s Coups”, ed. Illustria, catalogue of the exhibition “Coups apr\u00e8s Coups” (mus\u00e9e R\u00e9attu, Arles), Paul Ardenne art historian, Robert Pujade historian of photography […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2714","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/annabelaounblanco.cerfalunettes.fr\/en\/wp-json\/wp\/v2\/pages\/2714","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/annabelaounblanco.cerfalunettes.fr\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/annabelaounblanco.cerfalunettes.fr\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/annabelaounblanco.cerfalunettes.fr\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/annabelaounblanco.cerfalunettes.fr\/en\/wp-json\/wp\/v2\/comments?post=2714"}],"version-history":[{"count":0,"href":"https:\/\/annabelaounblanco.cerfalunettes.fr\/en\/wp-json\/wp\/v2\/pages\/2714\/revisions"}],"wp:attachment":[{"href":"https:\/\/annabelaounblanco.cerfalunettes.fr\/en\/wp-json\/wp\/v2\/media?parent=2714"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}